The Piobaireachd Society
Patron HM The Queen

Piobaireachd Society Annual Conference

Saturday/Sunday 25/26 March
Birnam Hotel, Perth Road, Dunkeld, Perthshire PH8 0BQ.

For Bed and Breakfast and conference dinner book direct with the hotel on  01350 728030 or online.

  • Angus McKay revisited - Robert Wallace
  • CLASP - Margaret Dunn, Gordon Hislop, Gill Cairns.
  • New Tunes from the Campbell Canntaireachd - Patrick Molard, Jack Taylor.
    Includes book launch of 45 unpublished tunes.
  • Fiddling and Piobaireachd - Pete Clark
  • Set Tunes demonstration - John Frater, Peter McCalister, Bill Wotherspoon
  • Dinner and Ceilidh

For further information contact Roderick Livingstone, Treasurer:
Email: roddy66@gmx.com
Telephone: 07801 014885

Pay via Paypal:

News

Cairn (1)

Piobaireachd on Radio

Pipeline  Lament for Donald Duaghal MacKay (Roddy MacLeod), Lament for the Little Supper (Patrick Molard), Mary's Praise (Ian K MacDonald), Isabel MacKay (Finlay Cameron), A Son's Salute to his Parents (Stuart Liddell)....

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Piobaireachd Society Bursary 2017

This bursary aims to encourage young pipers who do not have easy access to a piobaireachd teacher to learn piobaireachd. Previous successful candidates were very positive about their experience of a week of expert tuition focusing on Piobaireachd sponsored by the Piobaireachd Society. The successful...

DavidJSMurrayPresident1982-88

David Murray

David Murray, President of the Piobaireachd Society from 1982-1988, has died aged 95. David was a first class player with an extensive knowledge of piping, pipers and pipe music.  He was devoted to piobaireachd and he worked tirelessly for the Society.  He was proud to have played The Unjust In...

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Reverend Norman MacLeod’s Lament

Thanks to Colin MacLellan for this recording of Captain John MacLellan playing Reverend Norman MacLeod's Lament which is one of the 2017 Silver Medal tunes. The tune will be discussed at a seminar this Sunday 20th November 1pm UK time, livestreamed from the National Piping Centre.  ...

 

Welcome

When the Highlands and Islands of Scotland adopted the bagpipe, perhaps some six hundred years ago, they began to develop the instrument and its music to suit their needs and tastes.

What emerged was the instrument we know today as the Great Highland Bagpipe, and a form of music, piobaireachd (pronounced Pee-broch), which is unique to the instrument.  The music consists of a theme (ground) and variations on this theme.  The theme can express joy, sadness, or sometimes in the “gathering” tunes , a peremptory warning or call to arms.

The theme is developed in a series of variations, which usually progress to the “crunluath” variation, where the piper’s fingers give a dazzling technical display of embellishment or gracenotes.

The Piobaireachd Society was founded in 1901 to encourage the playing teaching and study of this music.