James Campbell, son of Archibald Campbell Kilberry, left an archive of around 170 piobaireachd recorded on the goose to demonstrate the style of playing given to his father and which forms the basis of the Piobaireachd Society Collection and the Kilberry book. James was a leading member of the Pi...
A new recording of a BBC broadcast of Lady Anapool's Lament by John Stewart, Aberdeen is now available...
The set tunes for 2014 are now available Set Tunes 2014 - Notice...
Composed by Master Corporal Jeff McCarthy in honour of the 150th anniversary of The Black Watch Royal Highland Regiment of Canada 1862-2012. The composition was inspired by the regiment's 150th anniversary in 2012....
When the Highlands and Islands of Scotland adopted the bagpipe, perhaps some seven hundred years ago, pipers began to develop it and its music to suit their needs and tastes.
What emerged was the instrument we know today as the Great Highland Bagpipe, and a form of music, piobaireachd (pronounced ‘pee-broch’).
Piobaireachd is unique to this instrument. It cannot be successfully reproduced on any other. (The name piobaireachd is literally ‘piping’ in Gaelic.)
This classical pipe music consists of a theme, known as the ground, or in Gaelic the urlar (‘oorlar’), and variations on this theme.
The theme can express joy, sadness, or sometimes, in the ‘gathering’ tunes, a peremptory warning or call to arms.
Variations on the theme usually progress to the ‘crunluath’ variation, where the piper’s fingers give a dazzling technical display of embellishments or gracenotes.
The Piobaireachd Society was founded in 1901 to encourage the playing teaching and study of this music.
2) Iain Speirs - MacSwan of Roaig Lament for
3) Jon Don MacKenzie W M MacDonald - His Father's Lament for Donald MacKenzie